Visheh is a video-performance artist whose work is research-based and focuses on the connection between the body, coding, visual effects, and mythology. With a background in mathematics and physics in high school, and a Bachelor's degree in Islamic Art (specializing in Persian painting), she developed a lasting interest in geometry, structure, and the hidden rules that shape both the human body and chaos.
She began working in video-performance art in 2014, when she started using her own body not just as a subject but as a form of language. For Visheh, the body is a system of emotional, physical, social, and symbolic codes that can be deconstructed, reprogrammed, and reimagined through digital media. Her works often combine body-based performance with code, 3D visual effects, and sound to create immersive experiences that shift between inner reality and mythological abstraction.
She uses mythology—both personal and collective—as a framework to explore themes such as suspension, isolation, memory, predefined social norms, and identity. Her performance practice is deeply connected to research, constantly questioning how the body holds knowledge, how systems encode meaning, and how tradition can be transformed through digital tools.
Since beginning her art career in 2011, Visheh has worked across a wide range of mediums—from traditional techniques like Persian miniature painting and needlework to cutting-edge digital technologies. After earning her Master's degree in Art Research, her practice became increasingly research-driven. She has also published articles and translated books.
Her works have been exhibited internationally in art events, galleries, museums, metaverses, and video art festivals. In 2025, her artwork Lost in DNA was sent to the surface of the Moon—an extension of her ongoing exploration of how the body leaves traces across space, time, and digital memory.
Find out more about Visheh in her CV:
